Archive for the ‘Watercolor’ Category

PostHeaderIcon Watercolor- Modern Watercolor Painting Concepts

The story of watercolor dates as far back as when the first man learned to paint and interpret his surroundings. Yet as old as it is, watercolor paintings do not sell as much as oils and acrylics. This is because watercolors are developed only lately. Cezanne used it, Eugène Delacroix, François Marius Granet, Henri-Joseph Harpignies did excellent works with it and a whole bunch of masters dabbled with it. But for centuries, the issue of the watercolor basically is that it cannot hold its colors for long. It fades overtime fast, and so very few serious artists used the vehicle. Not anymore

The real development of modern watercolor painting as far as its preparation and commercial viability is concerned is a little more than a hundred years old. Too recent compared to most visual art mediums, resulting to the partiality of masters to use oils and acrylics in their works. Hence, watercolor paintings seldom succeed commercially. But watercolor is a very wonderful medium to work on let alone the most portable, very easy to maintain and always non-toxic. For centuries it remained in the background, never as popular but the demand has always been there.

Previous to the 1800’s, artists using the medium by large, buys their pigments from the local apothecary and mixed their own colors. The 18th to the 19th century saw a rise in market in printing books where the usual vehicle of illustrators is watercolor. Consequently, there was also an increase in watercolor demand as it became fashionable during that period to use the medium particularly in the upper classes of society. And so manufacturers taking notice bring the production of watercolor to a different more commercially viable level.

Is everything making sense so far? If not, I’m sure that with just a little more reading, all the facts will fall into place.

Then, majority of the binder that is used in watercolors are plant carbohydrates. Likewise, the pigment is drawn to the paper through the paper’s cellular components where it stays. This leaves the pigment exposed like pigments stranded in a sand paper, leaving powdery pigments to scatter when very dry thereby fading it fast. Today though Arabic gum is used as the principal binder together with improvements done to improve its light fastness.

The light fastness of watercolors are measured by its numerical rating and is printed at the packaging for identification. In fact, if an artist uses watercolors today with high light fastness rating and conduct the work in archival paper, the pigments will stick, the transparent brilliance that only watercolors could provide will remain, and the artwork will last longer than those done in either oil or acrylic.

Applications have also changed. While paintings utilize brush (including watercolor) as its primary tool, modern implements include the use of sponges, tissue papers, plastics, crayons, sprayers and other organic and non organic material to create a final artwork that is most possible with watercolor paintings.

Concepts have also changed as it relates to the use of the watercolor. The injunction that white and black paints are not to be used, instead only primary colors that are mixed either in the palette or directly into the painting is already of no relevance to modern watercolor painting concepts.

Now you can be a confident expert on Watercolor. OK, maybe not an expert. But you should have something to bring to the table next time you join a discussion on Watercolor.

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PostHeaderIcon Behind Watercolor Techniques

The following article includes pertinent information that may cause you to reconsider what you thought you understood. The most important thing is to study with an open mind and be willing to revise your understanding if necessary.

Watercolors are used in which pigments suspended in a gum-Arabic solution are applied to a surface with the use of brush and water. Water is used as a medium for pointing to bind the pigments. It started out since ancient times. Watercolor techniques have been improved throughout these past few years.

The following are the most popular watercolor techniques that have been developed by the artist themselves:

1. Wash Technique
It was developed by Albrecht Durer, a German artist. It permits overlapping layers of highly diluted pigments to a more refined level. It started in the early 16th century. In the 18th century, wash became the vehicle for color and the whiteness of the paper is reserved for highlight purposes.

2. Aquarelle Technique
It was mastered and developed by John Cotman and J.M.V Turner, both English artists. Aquarelle technique is more concentrated on thin washes.

3. Watercolor Technique with oil and acrylic base4d paint
It started at around 19th and 20th century. It dilutes oil paint with solvent to give a washy thinness. It is the newest watercolor technique that is used nowadays by some artists around the world. It also allows the paint to flow freely over the painting surface. Most schools around the world are more concentrated on teaching this technique to their students. Pablo Picasso and John Miro mastered this technique.

Now that we’ve covered those aspects of Watercolor, let’s turn to some of the other factors that need to be considered.

Watercolor techniques are combined with reiteration of the themes and styles developed. Many artists never stop to experiment on new2 materials and forms of expression. The watercolor technique will be chosen by the artists themselves. It is important because they are the ones who know what technique is applicable for their masterpiece. Amateur artists may also attend workshops in order to learn more about these techniques.

Watercolor techniques improve as time passes. Several ways are used in order to create a new set of development. With the help of these new improvements, several artists nowadays are getting more inspired to create watercolor paintings. Even the younger children try it out for themselves.

Watercolor brings a different vibrant to paintings creating a surreal approach to the eyes of its audience. Using the watercolor techniques, paintings became more interesting and relaxing to see. It shows the creativity of the artists in the whole world. It gives a new dimension for the artists to showcase their talent. With their watercolor paintings, many people are filled with joy and inspiration.

Watercolor techniques are ways to create a masterpiece. It’s in the hands of the artist to use it evenly on the paper with its chosen theme. If effectively done, the artist will surely create a majestic piece of art that can be enjoyed by its audience. Indeed, using the watercolors, such artists can create and express themselves better with their paintings. It is a medium that can easily be used by everyone that enjoys and loves painting.

With the help of these medium, people can divulge themselves to a new innovation in art. With the help of the watercolor, it moves freely in the hands of the artists.

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PostHeaderIcon Watercolor Values

Watercolor values evaluation is the degree of lightness or darkness of a color. Gauging it is very important if the painting is to very good. A good idea with good composition will not look right once the values are off.

Understanding Watercolor Values

There are four things considered in understanding color values.

Color ? is the degree of perception, light absorption, reflection, or emission of light as it interacts and is recognized by the eye. In layman’s terms it is the recognition of blue being blue, red as red, and yellow as yellow including all its derivatives.

Shade ? is the degree of darkness in a color

Tint ? is the degree of lightness of color where deepening or lightening the tint by minute increments would change the colors temperament until you arrive at a totally different color.

Hue ? is the degree of a colors modification. For example blue Green, Red Violet etc.

If you base what you do on inaccurate information, you might be unpleasantly surprised by the consequences. Make sure you get the whole Watercolor story from informed sources.

Watercolor Value Scale

Every eye reacts to light and color perceptions differently. The differences though are very minute but judging values are affected by these little differences. A blue-eyed person for example could see better in bright surroundings but perceptions suffer when in darker areas. Opposite in perception to light and darkness are darker eyed persons. Even when no two eyes are exactly the same in the manner by which it gauges color, shades tints and hues, a uniformity could be approximated if not totally achieved by using value scales as guides. Most artists learned to gauge this by using a gray scale. A typical gray scale is divided into ten increments of varying shades. On the top of the scale is a color that is pure white. The ten shades following that differs by 10% increments in the darkness (grayness) until the tenth shade, at the bottom of the scale that is colored pure black.

Gauging the Watercolor Value

The depth of a color is influenced largely by the manner in which the eye responds to light. When you place a lightly colored strip of paper and place it alongside the value scale, the eye will be drawn to compare it to the lighter shades of the grey in the scale. Conversely, darker colored strips will draw the eye to compare the color with the darker shades of grey. It is in this approximation of color that helps the artist judge color values and applies it to his color renditions.

Using a Value Scale in Watercolor painting

When color values have been determined, there are two methods that are used to make a value change. First is either the lightening of colors by diluting the pigment with more water until the correct value is achieved or darkening it by adding more pigments. The second is creating an illusion in the painting to lighten up the values like softening (or roughing) inside edges of the colors of the objects and images.

Finally, even with the best brands, watercolor values are different when the pigments are still wet compared to when the color dries. Adjustments in coloring then are made to achieve the best color values possible.

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PostHeaderIcon Watercolor- Wet In Wet Technique And Color Definition

This article explains a few things about Watercolor, and if you’re interested, then this is worth reading, because you can never tell what you don’t know.

The wet in wet technique is distinct only to water color paintings. Using this technique produces an effect that is not possible in any other medium. To do this, the entire paper is laid flat and is brushed wet with water. When the paper no longer wicks, the work begins by plunging it with a paint-saturated brush. The effect will generally be large areas with irregular color definition. The subject of the painting is then defined and sharpened as the color dries. There are different procedures of wet in wet technique that presents different characteristics.


This effect is achieved by the natural tendency of the paint to be drawn from the wetter surfaces to the dryer surface of the paper. This is commonly referred to as the blooms, watermarks, oozles, backwash, or backruns. As the pigmented water runs from the wetter to the dryer surface, it carries along pigments leaving the wetter areas with a lighter shade and depending on how the backrun is treated; it will leave an image with a serrated edge. This effect is commonly used for lighting contour of an object and at other times simply for decorative purposes.

Salt Texture

Since the salt will absorb water, this technique is used to create snowflakes in the picture and other imperfections in the color. A salt will rot the paper overtime; a fine water spray using a spray bottle held three feet from the painting is used as a substitute with similar effect. Fine grains of sand could also be sprayed over the surface that will be brushed off later.

Dropping in Color

So far, we’ve uncovered some interesting facts about Watercolor. You may decide that the following information is even more interesting.

Here the artist dilutes a defined area with paint or water then the artist drops in color through the brush that has been loaded with paint. The added shapes are then manipulated by stroking or tilting. Backruns are induced by adding more color or clear water or lightening up the surface by wicking. This technique produces an effect that is tasselated.

Paint Diffusion

When paint is applied to a wet surface, the tendency of the paint that is applied is to be defused into the wet water that surrounds it. This creates a feathery effect in the edges of the object that is painted. The paint diffusion technique is further shaped by tilting the paper while still wet.

Pouring Color

The artist applying this technique pours quantities of paint on the different surfaces of the paper, and using brush, tilting and spraying, merges the paint together producing an area that has a profusion of different colors and color variations. When the mixture is not so wet, the colors are then manipulated by brush into the desired forms. Before this technique is applied though, predetermined white areas are covered with masking tape, a film, or a latex resist.

The Cling Film Technique

This wet in wet technique creates special effect in the painting trough the use of a kitchen cling film. The cling film is applied over the wet pigment and manipulated to form ripples and ridges. When the painting is dry, the cling film is removed revealing the effect on the painting that the film has made.

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PostHeaderIcon Watercolor- Drawing Tips for Beginners

If you have even a passing interest in the topic of Watercolor, then you should take a look at the following information. This enlightening article presents some of the latest news on the subject of Watercolor.

Some people are by nature, creative some are not so but want to. Either caused by genes, early childhood exposure, natural inclination, precocity, sudden inspiration, there are people who could create art better. It always will be. Whatever the cause though whether born into it or not, we learn from practice. The fact is, the best artists devoted more time to the discipline of practice. Inspiration is then sparked more because as the practice continues, the better the artist becomes. It is often said that we are not fully human until we learn to create. For the creative spark that is within each of us, here are the following drawing tips.

Practice ? No matter what subject you have in mind, the important thing is to keep on practicing first. Doing so will help you to start judging proportions and translating it into paper. There is no shortcut to this. Practicing makes the hand pressure more sensitive to the paper and the hand movements more attuned to the subject that you have in mind. Only spiders are born that could immediately build a house, we alas has to keep on trudging. The more pencil shavings you have, the more you convert the ideas into the art. It does not matter what you draw because as with everything else no effort really goes to waste.

Having said that, fine artists start their composition by imagining. Look at the big picture, get the general idea, and start sketching. You can add the details later on. Often while working, the picture that we have in mind does not translate accurately on the paper. That is often the case; In fact it is good that it has to be because by then improvisation takes place which is really the beginnings of the mark of true art and individuality. Many masters agonized over that but worked through it and came up with unique pieces of art. If you work at it long enough, you will discover that not over thinking but letting yourself go with the flow of the work does it better. But of course that would come later.

See how much you can learn about Watercolor when you take a little time to read a well-researched article? Don’t miss out on the rest of this great information.

In the meantime, start by drawing thumbnail sketches. When you have a good idea of the composition of the picture, start drawing. It is good though when starting to reduce the picture that you have in mind into smaller shapes. Reducing the figure into smaller simple pieces makes the canvass more manageable. Start your sketches with light strokes but keep it as detailed as you want. Always start near the center of the page.

If the main interest of the subject if not exactly at the center, it must be on a location that will immediately catch the eye but never start from a corner working your way in. The same principle applies when applying the strongest tonal contrast. This is what you call the center of interest. It is here that most details are made. Start with large and bold movements using soft pencils when starting a sketch and then proceed to drawing the fine details using finer point pencils. For finishing touches, apply small and tight strokes.

Another drawing tip that you would want to apply is to work first on large sheets of inexpensive paper. Working on inexpensive paper is a good way to gain confidence with practicing hand strokes.

This article’s coverage of the information is as complete as it can be today. But you should always leave open the possibility that future research could uncover new facts.

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By Anders Eriksson, now offering the best guide on movie downloads over at free movie downloads

PostHeaderIcon Watercolor-Common Mistakes In Drawing You Should Avoid

The more you understand about any subject, the more interesting it becomes. As you read this article you’ll find that the subject of Watercolor is certainly no exception.

Almost all artists learned first and then studied later. From the greatest to the least, every one of them practiced and learned with very little guidance if any. Along the way though, without exception, mistakes are made and as realization ultimately comes, are corrected. The following is a compilation of the most common mistakes in drawing that you would want to avoid.

? Do not start drawing with a hard pencil. Hard pencils are good for light shading but if you must start sketching use instead pencils with darker values like a 2B or a 4B.

? When you are a beginner, do not use flash photography as reference. Flash photography because of the nature of its lighting gives you no depth to work on. Aside from that, perspective points are located behind the head that tends to flatten the features and expressions more. Even professional artists find it very hard to duplicate the expressions on a face when using flash photography. Making it harder is the fact that there is often a smile in the snapshot. The sketches from snapshots are more likely to produce faces that grin without a lively mirth to it.

? If you must sketch a face, the model should face slightly to one side. This way you could have a good evaluation of skin tones, lights, and shadows that are natural and the natural expressions of the personality behind the sketch that you are working on.

? Sketch for balance. Focusing much on a person’s feature especially those that stands out will tend to overemphasize a particular feature drawing them too big making the rest of the head out of proportion.

The more authentic information about Watercolor you know, the more likely people are to consider you a Watercolor expert. Read on for even more Watercolor facts that you can share.

? When starting to sketch, start with light stokes and ensure that the features of the model are in the correct angle with the rest of the head. This mistake is one of the most common as we are used to looking at a face straight on that when an angle is done, twitching and distortion of features occur.

? Most sketches are not shaded past grey, when you shade, do not hesitate to go darker. It will add more strength and expression, give your drawing more depth and drama. Limiting your shades to dark grey decreases your tone range. So experiment with darker values. To get a better idea, have a dark colored (even black) paper at the edge of the drawing and use it for tone reference.

? Choose the paper well. Papers that are manufactured with sheen on the surface will result to pale drawings, as the paper is too smooth to hold pencil particles. On the other hand too coarse a paper will hold too much of pencil particles that your application of shades will be off. Select a paper which is neither too coarse not too smooth.

? When sketching foliage, do not use circular hand motion and strokes. Use instead crescent shaped marks. That way your foliage and trees will appear more natural and realistic.

? Among the common mistakes in drawing grass or hair is to draw every blade and every hair leaving a mangled wiry effect. Use contrast instead. To avoid this, apply also feathery light pencil strokes.

The day will come when you can use something you read about here to have a beneficial impact. Then you’ll be glad you took the time to learn more about Watercolor.

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PostHeaderIcon Watercolor ? Advanced Watercolor Painting Tips

When most people think of Watercolor, what comes to mind is usually basic information that’s not particularly interesting or beneficial. But there’s a lot more to Watercolor than just the basics.

Following are watercolor painting tips for watercolor artists whose ability is beyond the basic skills and aiming to come out with good painting results and preserve their work for a very long period of time.

Paper quality

There are different kinds and grades of watercolor and watercolor paper, each has its own consistency and behaves differently. The quality of the watercolor painting is heavily influenced by the grade of paper that the painting is on. This is more pronounced when applying the techniques such as wet in wet and dry color lifting. Texture grade are also important consideration when applying a dry brush technique. The rule of the thumb when choosing a watercolor paper is that the more expensive and popular the brand used, the easier the work becomes for the artist because of the consistency and the high quality of materials that are used.

Working fast

There are a variety of effects that could be taken advantage when working fast. First, to regulate the paint flow will not allow the artist to rest until a particular aspect of the work is finished. The effects that are obtainable in working fast allows for better blending and mixing of colors that could never be done when the paint is allowed to thicken let alone dry. The same goes for color dominance, and the production of feathery, rugged edged and dreamy textures that only a watercolor could produce. Watercolor is not an easy medium to work on. But for those who will or have learned to regulate the flow of the paint, the wetness inherent to watercolor painting is actually a good control device.

Light fastness

Those of you not familiar with the latest on Watercolor now have at least a basic understanding. But there’s more to come.

Light fastness is also a major consideration when you want the painting preserved. Watercolor pigments have acquired a reputation for impermanence because unlike oil and acrylic that has protective binders, watercolors are painted directly on paper and is exposed. Because of this, that pigments do not retain its color and its brilliance overtime. Today though, major improvements have been done to retain lightfast watercolors which is indicated by a manufacturers numerical rating printed in the tube or the packaging.

The main reason that excellent watercolor paintings are considered less in value than oil or acrylic is its previous inability to hold its color. Today though, technological improvements are achieved for watercolor pigments that in fact, watercolor paintings with high light fastness rating painted on archival paper holds it colors and brilliance longer than oils and acrylics.

Tube or Pan

Choose tube. It is more difficult to achieve very dense color when you use a dry watercolor from a pan. It is also easier to keep raw colors in tubes. Minor difference but it counts for coming with very good, well preserved and well-defined colors. Other than that, there is no visible difference between a tube color and those that comes from pans.


While the preceding watercolor painting tips are relatively new, scumbling dates back to the practice of watercolor application in the 19th century. Otherwise known as dragging or crumbling the color, scumbling is loading a moist brush with large amounts of color and dragging the tuft lightly along the paper to produce different textures and are typically used by watercolorists with more advanced brush handling skills.

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PostHeaderIcon Watercolor ? A Spark Of Goodness

A spark of goodness created all of us, so a poet said. In like manner, all of us have that creative spark. In some of us this spark is pronounced, in most, it has to be cultivated. Nonetheless, it is always there whether admitted or not. We feel it all the time. This is why we strive to pamper our senses. This is why all of us are drawn to the beautiful, the grand, and the majestic. We can never be fully satisfied until we create. And until we learn to create, we will always stand in awe to those who do never knowing that we have the same quality in us.

Failure is an Ally

It is painful to admit that. Wish it were not so but wishing would not change that. Vincent Van Gogh for all the worth of his paintings now, only sold one commissioned painting in his lifetime out of the numerous masterpieces that he did. A portrait not very well received by the patron but paid nonetheless. Picasso, Monet, Degas, Renoir, Goya, name it, all have struggled at first until masterpiece after masterpiece were made, accepted, and praised by the public.

A spider can spin a web right after it is hatched and a deer can leap a few moments after it is born but for all our superiority, we have to learn, struggle and learn some more if not from previous mistakes, from the mistakes of others until a task is as perfect as our limitations would allow us to be.

If you don’t have accurate details regarding Watercolor, then you might make a bad choice on the subject. Don’t let that happen: keep reading.

With so little time

A cliché goes “We live and learn” until a wisecrack added, “by the moment we learned it will almost be too late to live”. If that is the parameter by which achievements have to be set, then nothing created will have been created. The truth is art is created for the sake of creating, nothing more. Art is a reward in itself. It does not matter if it is recognized nor condemned, praised or ridiculed. History has proven time and again that the opinion of the majority is not always right.

And so Express Yourself

Because you are a co-creator, create. Lives are lived more fully when we create. It is good if the talent is already there if not, it often comes after trying but even if it is said that there is none, who cares. Not every master has the talent when they were just starting. The talent is developed in a manner by which intelligence is also developed. But even when the talent never grows to the level desired, art is still a good way to express oneself. It is a release; it is relaxation and developing focus and coordination. It is development of tastes and expressions that otherwise would have remained dormant. In art, the person runs an entire gamut of experiences translated to tangible forms sometimes known only to him.

It is the only known human activity that to be effective does not require much brain as much as gut activity. More than anything else, it is spiritual and intuition development. An experience that brings us closer to the spark of goodness that created all of us.

Is there really any information about Watercolor that is nonessential? We all see things from different angles, so something relatively insignificant to one may be crucial to another.

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PostHeaderIcon Watercolor-Basic Painting Techniques You Can Use

The following article includes pertinent information that may cause you to reconsider what you thought you understood. The most important thing is to study with an open mind and be willing to revise your understanding if necessary.

Every art form involves discipline unique only towards its application. In the visual arts for example, like oil, acrylic, pastels, charcoal etc., there are the basics that are common. Some of the basics may include the ability to interpret images into visual form, intrinsic artistry, and skills gained and learned. As the discipline widens and develops, the unique quality of the medium that is used is addressed according to the quality that makes it unique.

Likewise, watercolor painting poses challenges addressed differently. For example, watercolor is a transparent medium making it unique when compared to other mediums that are opaque. To address this, the following are the watercolor basic painting techniques developed and used over the years and which no watercolor artist can do without.

? Dry Brush ? the dry brush technique is good for creating textured surfaces. Samples of dry brush technique are often seen in watercolor paintings of tree barks, rocks, twigs, foliage etc. creating a visibly dominant textures. Dry brush painting relies on painting with a brush that is just about moist and often charged with a thick paint. The dominance or the subtlety of the effect will depend also on the grade and quality of the paper used and the angle and stroke applied.

If you base what you do on inaccurate information, you might be unpleasantly surprised by the consequences. Make sure you get the whole Watercolor story from informed sources.

? Lifting Wet Watercolor ? The tools to use when applying this technique are soft tissue paper, sponges, paper towels, or brushes. Lifting is a negative painting tool where instead of applying color, you diminish the color that is applied. It creates a dreamy effect and is widely used when painting clouds where the paint, while still wet is dubbed with the absorbent tool to create the image desired. Twisting is done to create more texture in the paint that is left on the paper as well as scrubbing. When doing the actions though, especially when scrubbing, care must be observed that the paper underneath is not damaged.

? Lifting Dry Watercolor ? One of the greatest challenges in watercolor painting is its being a transparent medium which makes it very difficult to remove or blot out. Once it is in the paper and dries, removing the paint is difficult if not impossible. Painting over will hide it partially. Just the same, sometimes a pigment has to be lifted from the artwork and for lifting dry watercolor, what is normally used are acrylic brushes or sponges. To lift the dry pigment, the sponge or the brush is cleaned thoroughly with clean water and applied very carefully to the surface. The process is repeated until manageable tinge of color remains.

Other tools used are razors, sandpapers, penknives, and sometimes X-acto blades. All of which are destructive. Blades are used but then the texture of the artwork is altered. In skilled hands highlights will be created when using a blade but as mentioned it is a risky process.

? Wet in Wet ? is another watercolor basic painting technique where the paper is brushed wet before applying pigments. This technique produces a very different texture and appearance that is unique only to watercolor paintings.

This article’s coverage of the information is as complete as it can be today. But you should always leave open the possibility that future research could uncover new facts.

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PostHeaderIcon Watercolor- How To Paint In Watercolor

The usual dilemma of artists starting to paint in watercolor is that it behaves differently from mediums like oil or acrylic. For one, oil and acrylic are opaque mediums whereas watercolor is transparent. It could heavily influence and flow to the color beside it if that is not the intention and if care is not taken. Unlike other mediums then, decisions at the start of the painting must be done where the whites are placed and apply the lightest of shades first. Common practices of watercolorists are to leave the white areas for later.

To paint in watercolor, observe the following.

Center of Interest

Creating the center of interest is the heart of an artwork. When you paint in watercolor, unless the theme is formal or static, avoid having the center of interest right in the middle of the painting. To solve this, break the vertical and the horizontal axis on a ratio of 1:2. Keeping the center of interest of the painting at an unequal distance between the sides will correct the subjects positioning.

Thumbnails sketches

Most of this information comes straight from the Watercolor pros. Careful reading to the end virtually guarantees that you’ll know what they know.

When the subject of the painting is already determined, drawing thumbnail sketches will help manage the canvass and prevent you from making mistakes later. The thumbnail sketches will allow you to arrange and shuffle the subjects around. Having thumbnails sketches also provides you with a good idea on creating lights and shadows to have the maximum contrasts at the center of interest

Applying the color

Having the center of interest in mind, start the painting by applying the lightest washes in the background working towards the darker hues and details later on. Having too many colors in the palette often result into a work that looks muddy and discordant. When starting the painting, have your color palette limited to two or three colors working your way towards tight details later on as dictated by the subject and the atmosphere that you want to create. Introduction of intense colors could be done later in the work. When starting to color, cover large areas loosely but do not forget to leave the white areas blank. This will enable you to create very good detail and tonal contrasts.

Harmonizing the color

While coloring and the choice of colors to be applied basically rests with the artist, a color wheel is a good tool to use to get a better idea on how the watercolor painting will appear in the end. Harmonizing the color rests on tastes and preferences and so there are no rules to that. However, the one thing that is best avoided when unsure of which color to use is to avoid neutral darks. Watercolor painting will tend to have more character if the dark color choices are either warm or cool darks. If a discordant color appears in the painting (like for example a purple lily that seems to jump out of the canvass), apply the discordant color to other areas of the painting as well.

Finally, as with all artwork, when you paint in watercolor, do not overdo details. Creating too much detail in one single work will tire the eye. Create areas of relief as well.

As your knowledge about Watercolor continues to grow, you will begin to see how Watercolor fits into the overall scheme of things. Knowing how something relates to the rest of the world is important too.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO Hosting